Music Production

When working on music, I strive to be environmental, to place the listener in headspaces and states of mind with atmosphere and intention. I am enamored with the juxtaposition of organic and inorganic textures with regards to sound design, most often found in the "London" production style. To deliver such a diverse palette of sounds and establish a sense of space, I craft the arrangement of material to take advantage of dynamics (something that much of modern music production seems to have forgotten), motion, and texture. Anyone can throw a bunch of effects and channels at your music. I do much more.

The studios with which I work offer world-class spaces and equipment that produce incredible results. Thanks to digital technology, editing and comping can be done anywhere and at low cost, allowing more time for tracking and mixing, ultimately offering major-label quality with more reasonable budgets.

Send me a demo or request more information!

Production & Engineering Playlist

note: songs may vary in overall master volume as volume needs vary from project to project

Sonoluminescence

As an artist and for a production showcase, I released an album in 2004 titled Sonoluminescence. A juxtaposition of just about every popular musical genre, Sonoluminescence was composed with the knowledge that very few musicians naturally want to limit themselves to one sound. In this vein, Sono is a highly produced experiment in contrast between organic and artificial sounds. From the heavy synth layering of Experimentation to the open, natural acoustic feel of Intentions, Sonoluminescence takes the listener across a wide range of genres, textures, and emotions and never apologizes for its eclectic eccentricities.